That makes me feel even more strongly about throwing proprietary and predatory codecs in the trash and opting to use AV1 et al wherever possible, it's better anyways and surely close to a decade after coming out, we'd expect devices to support it well enough.
> it's better anyways and surely close to a decade after coming out, we'd expect devices to support it well enough.
A lot of people, myself included, are still using quite old hardware. The GPU in my daily driver is ~10 years old at this point. Between crypto, COVID, and this AI craze raising GPU costs by insane amounts, it hasn't made sense to replace it with something newer. I know I'm not alone on that...
Insane in absolute terms, but not per user. Take look at the actual fee schedule [1]. The most costly is the license for cable TV, which costs 50¢ per year per subscriber. The least costly is social media, which goes up to whopping 4.5¢ per MAU per user.
I very much understand how the licensing alliance likely was bothered by the fact that they are leaving money on the table, when TikTok's revenue per user is $50 a year, and a cable subscription is easily $800 per year, with the high-end reaching $2000. The big players aren't going to notice much. For the small players, nothing changed.
Also, let's not forget that the majority of devices still don't have AV1 hardware decoding support. For example, Apple only recently (2023) added support with iPhone 15 Pro and M3 Macs.
> For example, Apple only recently (2023) added support [for AV1].
Apple has been actively obstructing open video formats for a long long time—Apple is the reason there isn’t a baseline format for <video> in the HTML5 spec, for instance. (Or at least there wasn’t when the spec was still a well-defined document with a version number; I see no merit in keeping track of the “living” one.) Incidentally, Apple is a member of MPEG-LA and claims to hold numerous patents covering both AVC and HEVC.
At this point, whatever harms befall Apple’s users due to lack of Apple’s lack of format support are entirely Apple’s fault.
The claims made by Dolby that some H.265 patent claims that are formulated very vaguely also apply to AV1 are probably bogus.
Like many other such frivolous patent lawsuits, Dolby hopes to either scare the other company into making a deal in order to avoid bigger legal expenses, or to establish a legal precedent if their cunning lawyers can convince a technically incompetent jury that the H.265 patents are applicable to AV1.
This is the kind of trial that should have never been decided by a normal jury, but only by a panel of neutral experts in this field.
Is a panel of 'neutral' experts even possible to field in this area? I feel like anyone with sufficiently in depth knowledge of both the AV1 and HEVC specs has almost certainly derived a big paycheck for years from stakeholders on one side or the other of these lawsuits.
I'm no expert, but Google having designed AV1, I can certainly imagine a world where the codec infringes upon HEVC just enough that the lawsuit fees would come out in the wash.
They have been created with the express purpose of avoiding incidents like this.
Instead of paying the ransom, a streaming company should transcode their movies to a royalty-free format, like AV1 or VP9.
Even big companies like Dell have preferred to disable the H.265 codecs in the computers they sell, instead of accepting similar demands for greatly increased royalties, and I think that it was the right choice.
I guess to me this doesn't seem like that big of a deal? I mean if you have a 100 million subscribers, do you really care much about a few $million increase? I thought the big players like Youtube had already moved to open source codecs already anyway.
That's just trying to promote a competitor. This is more or less what Fraunhofer did with the mp3 license, which resulted in bunch of new, and better formats.
If you're just hosting videos on your website you are probably using High Profile which was standardized in March of 2005, i.e. more than 20 years ago. That doesn't stop VIA and MPEG-LA from claiming they still have relevant patents, but that claim is dubious and hasn't been tested in court.
This seems particularly desperate, but I'm not surprised this is happening, given that patent owners in general have been very angry that H.264 didn't wind up being nearly as lucrative as MPEG-2 was. Hell, I remember the days when they couldn't even agree if H.264 should have a free streaming tier at all or not - and it seems like that went away.
Maybe Google should finally make good on their threat to only stream YouTube in royalty-free standards.
In most countries the H.264 patents have already expired, for instance in Europe they have expired, but in USA not yet (in USA most patents should expire towards the end of next year).
So that firm might try to squeeze every penny they can before the expiration of the patents.
Unless you're running a platform with millions of users, where you use the codec to encode/decode video for others, you have absolutely nothing to worry about due to these news.
They should be sued. It's incredible discriminatory to make it so ridiculously hard for new players to complete.
Hopefully the Licensing Alliance never ever ever gets another customer ever again. Hopefully no one uses any of their new encodings. This is an untrustworthy company, that always have been out to fleece the industry and hold back humanity. Licensing Alliance embodies Lawful Evil, is a stain on the patent system as a whole. It's hard to find the words for how awful, how enraging this cabal is. Ugh. What an evil drain.
We should be able to use computers for audio and video, and it shouldnt involve kings ransoms to some jerks who are better at paperwork & lawyering.
All that work on av1 and av2 looking more and more civilization ally essential as times goes on.
That's an insane amount.
That makes me feel even more strongly about throwing proprietary and predatory codecs in the trash and opting to use AV1 et al wherever possible, it's better anyways and surely close to a decade after coming out, we'd expect devices to support it well enough.
> it's better anyways and surely close to a decade after coming out, we'd expect devices to support it well enough.
A lot of people, myself included, are still using quite old hardware. The GPU in my daily driver is ~10 years old at this point. Between crypto, COVID, and this AI craze raising GPU costs by insane amounts, it hasn't made sense to replace it with something newer. I know I'm not alone on that...
Insane in absolute terms, but not per user. Take look at the actual fee schedule [1]. The most costly is the license for cable TV, which costs 50¢ per year per subscriber. The least costly is social media, which goes up to whopping 4.5¢ per MAU per user.
I very much understand how the licensing alliance likely was bothered by the fact that they are leaving money on the table, when TikTok's revenue per user is $50 a year, and a cable subscription is easily $800 per year, with the high-end reaching $2000. The big players aren't going to notice much. For the small players, nothing changed.
[1]: https://cdn.mos.cms.futurecdn.net/3wzYaofEETCfXdQmREx9BK-120...
AV1 might not be as patent-free as we had hoped: https://arstechnica.com/gadgets/2026/03/av1s-open-royalty-fr...
Aren't VP9 and AV1 supposed to be "royalty free formats" ?
They are supposed to be, but Disney doesn't think so: https://arstechnica.com/gadgets/2026/03/av1s-open-royalty-fr...
Also, let's not forget that the majority of devices still don't have AV1 hardware decoding support. For example, Apple only recently (2023) added support with iPhone 15 Pro and M3 Macs.
> For example, Apple only recently (2023) added support [for AV1].
Apple has been actively obstructing open video formats for a long long time—Apple is the reason there isn’t a baseline format for <video> in the HTML5 spec, for instance. (Or at least there wasn’t when the spec was still a well-defined document with a version number; I see no merit in keeping track of the “living” one.) Incidentally, Apple is a member of MPEG-LA and claims to hold numerous patents covering both AVC and HEVC.
At this point, whatever harms befall Apple’s users due to lack of Apple’s lack of format support are entirely Apple’s fault.
The claims made by Dolby that some H.265 patent claims that are formulated very vaguely also apply to AV1 are probably bogus.
Like many other such frivolous patent lawsuits, Dolby hopes to either scare the other company into making a deal in order to avoid bigger legal expenses, or to establish a legal precedent if their cunning lawyers can convince a technically incompetent jury that the H.265 patents are applicable to AV1.
This is the kind of trial that should have never been decided by a normal jury, but only by a panel of neutral experts in this field.
Is a panel of 'neutral' experts even possible to field in this area? I feel like anyone with sufficiently in depth knowledge of both the AV1 and HEVC specs has almost certainly derived a big paycheck for years from stakeholders on one side or the other of these lawsuits.
I'm no expert, but Google having designed AV1, I can certainly imagine a world where the codec infringes upon HEVC just enough that the lawsuit fees would come out in the wash.
They have been created with the express purpose of avoiding incidents like this.
Instead of paying the ransom, a streaming company should transcode their movies to a royalty-free format, like AV1 or VP9.
Even big companies like Dell have preferred to disable the H.265 codecs in the computers they sell, instead of accepting similar demands for greatly increased royalties, and I think that it was the right choice.
I guess to me this doesn't seem like that big of a deal? I mean if you have a 100 million subscribers, do you really care much about a few $million increase? I thought the big players like Youtube had already moved to open source codecs already anyway.
>few $million increase?
Existing licensees are grandfathered in to the old price.
My advice (not a lawyer) is to ignore the licensing fees; the patents will all be dead by 2027 anyway.
Also I'm not responsible for whatever happens if you do this.
That's just trying to promote a competitor. This is more or less what Fraunhofer did with the mp3 license, which resulted in bunch of new, and better formats.
I’m confused about this. If I have video on my website that is encoded in x264 am I obligated to pay fees?
Not if you are in Europe or in any other place where the H.264 patents have expired.
The patents are still valid in USA, Brazil and a few other places.
*Claimed to still be valid.
If you're just hosting videos on your website you are probably using High Profile which was standardized in March of 2005, i.e. more than 20 years ago. That doesn't stop VIA and MPEG-LA from claiming they still have relevant patents, but that claim is dubious and hasn't been tested in court.
This seems particularly desperate, but I'm not surprised this is happening, given that patent owners in general have been very angry that H.264 didn't wind up being nearly as lucrative as MPEG-2 was. Hell, I remember the days when they couldn't even agree if H.264 should have a free streaming tier at all or not - and it seems like that went away.
Maybe Google should finally make good on their threat to only stream YouTube in royalty-free standards.
what are the open source alternatives?
In most countries, including in Europe, the H.264 patents have already expired. There you can use H.264 freely.
Some patents remain valid in USA, Brazil and a few other countries.
This is for patent licensing. Using an open source implementation doesn't get rid of your obligation to license the patents for it.
In most countries the H.264 patents have already expired, for instance in Europe they have expired, but in USA not yet (in USA most patents should expire towards the end of next year).
So that firm might try to squeeze every penny they can before the expiration of the patents.
VP9, AV1
As the article says, there are companies seeking royalties for both of these codecs.
The funny thing about patent licensing alliances is that there's no guarantee that nobody else outside of the bloc will pop up and start suing people.
Basically, you can consider AOM to be a licensing alliances, where the fee is zero.
There is no proof that their patent claims over AV1 or VP9 are valid.
For now they try to bully some smaller companies with the threat of the big legal expenses that would be needed to fight these claims.
i don't think Snap Inc. and Amazon are small companies
AV1, as well as the older On2 codec series it was based off of (VP9, VP8, etc).
So should I re-encode all my videos to OGG? I’m really confused what this means for the average person who has home videos encoded in these formats.
Unless you're running a platform with millions of users, where you use the codec to encode/decode video for others, you have absolutely nothing to worry about due to these news.
Thank you!
Note that OGG is not a video codec, it's just a container format. I.e. an OGG file can contain MPEG-4/H.264-encoded video.
They should be sued. It's incredible discriminatory to make it so ridiculously hard for new players to complete.
Hopefully the Licensing Alliance never ever ever gets another customer ever again. Hopefully no one uses any of their new encodings. This is an untrustworthy company, that always have been out to fleece the industry and hold back humanity. Licensing Alliance embodies Lawful Evil, is a stain on the patent system as a whole. It's hard to find the words for how awful, how enraging this cabal is. Ugh. What an evil drain.
We should be able to use computers for audio and video, and it shouldnt involve kings ransoms to some jerks who are better at paperwork & lawyering.
All that work on av1 and av2 looking more and more civilization ally essential as times goes on.