Aka, due to their mistake. When Sony originally signed an agreement, they should have insisted on a perpetual license for anything already in the customer's library.
I was initially inclined toward some minimal sympathy for Sony here, but I see no good faith reason why they'd sign a licensing agreement which allows the other party to do this.
A friend and I were talking about this. What would you pay for it?
When iTunes + came out, you had 2 options, you could buy a song for $0.99 or you could be the plus version for more, I don't remember but it was like $1.35 or something. Plus had a higher bit rate and it wasn't encrypted.
Suppose you could buy a movie for $12.00, how much would you pay for the forever version? $30?
I feel like you're kind of making this more complicated than it actually is, either because you're overcomplicating it or because you're trying to tee up some rhetorical point, but the answer to your question is really quite simple and objective: https://www.amazon.com/s?k=movie&rh=p_n_format_browse-bin%3A...
You don't need to ask a hypothetical, the market has an answer.
To the extent your reply is "but that's not exactly what my question is", my point is that the market is already pricing all sorts of situations and the market would have no problem pricing just one more possibility into the already complicated market. Including "piracy", and people like me who are treating the vast majority of DVDs and BluRays as just a delivery mechanism for streams rather than "discs".
Depends on what those $12 "buy" me. In Sony's case, "buying" meant "renting until Sony's license expires", which they could have displayed on the product page.
I very rarely re-watch movies within a few months. So if I buy one, I want to know that I can watch it again in one, 10 or 30 years (if the format can still be played). Which is not guaranteed even with blu-rays mostly thanks to DRM. But what I'd be buying is not having to think about any deadlines.
If I'm okay with a deadline, I might as well rent the movie for a weekend, in which case I expect it to be less than $12.
Why should it be variable, if we talk about digital media? Storage and content streaming is cheaper than embracing a whole logistic (producing DVDs/BlueRays, packaging, shipping).
But here we are again: if you buy something digital, you just pay for a "usage license", you don't own anything at all. After all these years or decades, I am still surprised that people expect to own digital content, forever
With digital you're hoping the 'store' keeps it in storage for you in perpetuity so you can redownload/stream it. If you buy a DVD and lose it you can't go back for another free copy. There's definitely an issue that the original license should allow you to always download and backup your copy DRM free so you will always have access but most people aren't going to do that. I bought lots of music/video content from iTunes over the years and rarely back it up. The fact I can just stream it/redownload it from them is very useful but it's also unreasonable for me to expect that Apple should be hosting my 99¢ purchase for the rest of time.
it's also unreasonable for me to expect that Apple should be hosting my 99¢ purchase for the rest of time
That's fair so long as it was made clear at the time of purchase that you aren't buying the song, and that you're only renting it for a while. If they didn't put a clear explanation that you might lose access on the page when you clicked buy, and not buried deep in a 50 page EULA, then it is entirely reasonable to assume that Apple can afford to keep a 5MB file available for streaming forever, or until Apple closes down its streaming services.
Ok, how long do you have to rip & copy the content as you desire? It is still reasonably a forever version. Before you bring up laws around keys, first consider that jaywalking in front of your house is illegal too. Again, it is reasonably a forever version.
Crossing the street in a residential neighborhood is legal in almost all of the world and increasingly legal in the US as well. Many major cities started with non-enforcement and some are rolling back jaywalking laws entirely.
Why should I pay to be treated as a criminal, when pirating is better in every way and costs nothing?
There is no option of "Pay for digital copy of show that permits format/time shifting and backup for as long as I want, with no DRM". Like GOG. Doesn't exist in the pay realm.
It seems like you're just adding more and more qualifiers until you can finally justify piracy to yourself. You can reasonably do what you want if you buy the disc. There's a good chance that's how the people you're downloading from did it. ¯\_(ツ)_/¯
I have a cool 16 DVD/Bluray ripping rig. Even have scripts that convert ripped images into MKV's with all audio and subtitles, art, etc. Uploads into my Jellyfin.
And yes, I do buy VHS, DVDs, and Blurays. I have probably 3000 movies in physical format, and 10000 audio CDs. I also rip old VHS, which you usually cant find any torrents of. Again, I specialize in rare stuff you cant buy retail or find.
There's also illegal shows, like the old WKRP in Cincinnati. They licensed for TV only multiple songs. Pink Floyd and other artists refuse to license now. Nobody can legally sell them, even if you have the money. Piracy is the only way for the complete show.
There's also a lot more shows that languished in licening hell for decades, or theyre still unobtainable at any price. Some you can get redacted versions, but the originals are illegal no matter what. And as an (well, illegal, but I DGAF) archivist, having shows intentionally lost due to pervasive greed is just... more wrong.
The Wonder Years - finally published in 2021, LOTS of cuts made
China Beach - published in 2013 after clearing hundreds of songs. 17 segments were cut due to licensing fuckery
Northern Exposure - multiple songs redacted on republishing
Pee-wee's Playhouse - multiple songs redacted on republishing
Beavis and Butt-Head - DVD was a hackjob with dozens of songs changed/parodied.
Cold Case - too much licensed content, cant republish
Third Watch - too much licensed content, cant republish
The Drew Carey Show - massive music rights issues, cant republish
Malcolm in the Middle - massive music rights issues, cant republish
Little Monsters (1989) - massive music rights issues, cant republish
Heavy Metal (1981) - tons of rights issues, cant republish
Kids Incorporated / Class of 1999 2 - tons of rights issues, cant republish
A mistake suggests that it's accidental and they didn't mean it. To the extent a corporation can know things, they knew exactly how this was set up. This is fraud.
I don't consider anything digital as being bought unless I own it free and clear, unencumbered of any encryption. Not interested in anyone's "digital locker" or storage scheme. I have 20 years of music bought digitally through iTunes and Amazon. I can still play them to this day without needing to check-in with a licensing server. That is ownership. That is why I don't buy encrypted movies.
I think Heinlein said, "You do not truly own anything that you can't carry in both arms at a dead run."
I think something similar applies to digital media - you don't truly own anything that's not stored in bits on a hard drive that you can pick up and put in your pocket.
Why do people buy movies digitally anyway? I can understand digital movies (they are convenient) but renting or streaming seems far more reasonable. If you truly want to own a movie as I suspect people who buy them digitally do, the only way to ensure that is to buy it on DVD/Blu-ray and rip (or redeem the digital code version that often comes with modern releases, though those tend to have DRM). Even then, why do people buy from the playstation store? I could maybe understand that when the Vita was still around, but nowadays it seems like an odd choice
For me it's usually just a cost thing. Some movies I just know I'm going to watch multiple times, certain ones even annually. Clicking buy generally already makes sense if you're going to watch it twice. Wouldn't buy it from the PS store though, it seems like such a niche outside their core business that I'd be worried they would pull exactly what they pulled here.
Yes, it doesn't sound like a wise decision given what we know about the usual practices of those services. But the average consumer is not as savvy as us HN users.
I would not blame someone for expecting to own permanent access to the content if they purchase it. This only happens because big Sony and such are not held accountable of their actions, they are the one to blame.
Kids and convenience. 99% of the movies I’ve bought from iTunes are kids movies. Some of them were watched over and over and over.
DVDs and Blu-rays I purchased from the same era required a) advance planning and b) care. To the second point, most of the physical media is now destroyed (scratched, stepped on, lost, or just degraded), but I still have access to the copy of Cars I bought almost 20 years ago from Apple.
If you're going to watch it multiple times it's cheaper to buy than rent (especially if you see it on offer). With streaming you're relying that at least one of the providers has what you want and then you have to pay for a month to watch it if you're not already subscribed. I've also found streaming services are way more likely to censor older content.
Right, but I was referring to the concept of watching a movie digitally in general, whether that be streaming, renting, buying, torrenting, ripping, whatever. My question is why do people buy movies digitally as opposed to any of those other options
> Why do people buy movies digitally anyway? I can understand digital movies (they are convenient) but renting or streaming seems far more reasonable. If you truly want to own a movie as I suspect people who buy them digitally do, the only way to ensure that is to buy it on DVD/Blu-ray and rip
You're forgetting there's a slice of people who want to "own" a movie library but don't have the technical acumen to rip and/or (more importantly) host (consider that you'd have to stand up a Jellyfin server and have a good amount of HDD space -- I personally have 50TB).
Again, it's not _that_ hard in general but daunting enough and with high enough startup costs to dissuade a lot of people.
And time. I have archived some of my collection, but it does take a lot of time to rip the disks, test that they worked correctly. Then years later find out you did something wrong and there is no sound anymore, or you just got stereo and the surround mix is broken.
Streaming is so easy, don't need to find a disk. Load it, watch all the ads and warnings.
I have the technical acumen and money, but zero desire or time to spend ripping discs. It's far too easy to raid the "five dollar bin" at MoviesAnywhere (like I used to do at Wal-Mart and Best Buy).
Licensing issues like Sony's aside, the studios did MoviesAnywhere right. I can buy the disc (often used) and redeem the code, or buy digitally, and download/stream everywhere that matters to me and my family.
Buying a physical DVD means you own the item and have it in your hands.
"Buying" a streaming movie means that you enter into an agreement with an online service that promises to make your experience the rough equivalent of physical ownership. But to do that they have to solve a pile of problems, and solve those forever for as long as your purchase is valid.
Realistically, Sony will have service outages, they will have contract disputes, they may have data loss, security incidents, etc., all of which can make your "bought" content unavailable either temporarily or permanently. The real question is what type of agreement Sony had with StudioCanal.
None of this would ever affect your DVD. So the word "buying" wrt a streaming movie is easy to understand, but a bit misleading in practice. It's clear what Sony is signing up to provide; it's just hard to see how they can provide that consistently over the time period involved.
Consumers went wild over digital media distribution, because of its quality, its lossless copying, and the ease of reproduction and transmission. When CDs and DVDs appeared on the scene, I never dreamed that they would only be a temporary stepping-stone to intangible cloud downloads. But Napster happened.
The RIAA, MPAA, and entire industries were vehemently opposed to digital media (and recording in general) and fought digital distribution every step of the way, tooth and nail, until all the DRM and gatekeeping was in place.
Perhaps we were both on the wrong side of history?
Its because of things like this that I self host all my media.
As an example why buy games from Steam when I can get them on gog.com DRM free and make them portable (without a setup or installation step on future machines)? So, I run my own Steam Store/Library like experience on a home server using Game Vault.
I use JellyFin for video. It works for music files, but I don't really like it for audio. So, I wrote my own music app that works in the browser/phone securely across the internet from my own server.
This is so much better than paying for subscriptions..
It's really nice - and it's not really the cost ... it's the avoidance of the rugpull.
I've spent WAY MORE on my hardware and setup in time, money, and DVDs than I ever would have for streaming services, but I know if it goes down, it's on me.
between this and their mucking around with game studios (no new PC versions of marquee titles like ghost of yotei etc, unceremoniously shutting down bungie and laying off artists/game devs prior to vestment etc), Playstation management is a disaster at the moment
I have to wonder what small claims court judges would think of it. Get a few hundred cases filed across the US and the travel expense for Sony could be significant.
Selling something to customers without having the rights to it yourself is very clearly illegal. I wish some government agency had the guts to prosecute this.
Presumably at the time of sale they had rights to it. They lost it later, but should have at least had secured rights to people who bought the damn thing.
You don't always know that, you can have an open ended license with an option to get it revoked in the future with some notice period. I'd be pretty sure that PlayStation also had that in their terms and covered themselves legally for that option.
I hate this phrase, it is not a good analog for the situation and it slanders piracy. I understand the idea behind it and I hate the streaming/renting/digital purchase model as much as the next guy.
If you don't want to pay for streaming own up to it, buy it on physical or steal it (make an illegitimate copy). But don't pretend you would pay for it if it was delivered in a different agreement.
Do you expect to keep driving a rented car forever? Even if the car is only available through rent?
If it was a real sale, then they could not do this remote control/deletion at a distance.
Shit I buy at Walmart can't be physically taken away from me later on. Its legally mine.
This? Its fraudulently sold as a "sale" but is really an indefinite rental with the terms of "fuck you I'll do what I please when I please".
And on top of fraud, I'd also throw in the CFAA as well, a criminal statute. Its established law that if I set a timebomb in software at $company where if I'm fired/laid off, that's criminal access. No boilerplate from some shitty clickwrap can excuse criminal law.
> due to our content licensing agreements
Aka, due to their mistake. When Sony originally signed an agreement, they should have insisted on a perpetual license for anything already in the customer's library.
I was initially inclined toward some minimal sympathy for Sony here, but I see no good faith reason why they'd sign a licensing agreement which allows the other party to do this.
A friend and I were talking about this. What would you pay for it?
When iTunes + came out, you had 2 options, you could buy a song for $0.99 or you could be the plus version for more, I don't remember but it was like $1.35 or something. Plus had a higher bit rate and it wasn't encrypted.
Suppose you could buy a movie for $12.00, how much would you pay for the forever version? $30?
I feel like you're kind of making this more complicated than it actually is, either because you're overcomplicating it or because you're trying to tee up some rhetorical point, but the answer to your question is really quite simple and objective: https://www.amazon.com/s?k=movie&rh=p_n_format_browse-bin%3A...
You don't need to ask a hypothetical, the market has an answer.
To the extent your reply is "but that's not exactly what my question is", my point is that the market is already pricing all sorts of situations and the market would have no problem pricing just one more possibility into the already complicated market. Including "piracy", and people like me who are treating the vast majority of DVDs and BluRays as just a delivery mechanism for streams rather than "discs".
Depends on what those $12 "buy" me. In Sony's case, "buying" meant "renting until Sony's license expires", which they could have displayed on the product page.
I very rarely re-watch movies within a few months. So if I buy one, I want to know that I can watch it again in one, 10 or 30 years (if the format can still be played). Which is not guaranteed even with blu-rays mostly thanks to DRM. But what I'd be buying is not having to think about any deadlines.
If I'm okay with a deadline, I might as well rent the movie for a weekend, in which case I expect it to be less than $12.
I would pay what I used to pay for DVDs.
If I buy a DVD, it costs a fixed price.
Why should it be variable, if we talk about digital media? Storage and content streaming is cheaper than embracing a whole logistic (producing DVDs/BlueRays, packaging, shipping).
But here we are again: if you buy something digital, you just pay for a "usage license", you don't own anything at all. After all these years or decades, I am still surprised that people expect to own digital content, forever
With digital you're hoping the 'store' keeps it in storage for you in perpetuity so you can redownload/stream it. If you buy a DVD and lose it you can't go back for another free copy. There's definitely an issue that the original license should allow you to always download and backup your copy DRM free so you will always have access but most people aren't going to do that. I bought lots of music/video content from iTunes over the years and rarely back it up. The fact I can just stream it/redownload it from them is very useful but it's also unreasonable for me to expect that Apple should be hosting my 99¢ purchase for the rest of time.
it's also unreasonable for me to expect that Apple should be hosting my 99¢ purchase for the rest of time
That's fair so long as it was made clear at the time of purchase that you aren't buying the song, and that you're only renting it for a while. If they didn't put a clear explanation that you might lose access on the page when you clicked buy, and not buried deep in a 50 page EULA, then it is entirely reasonable to assume that Apple can afford to keep a 5MB file available for streaming forever, or until Apple closes down its streaming services.
> With digital you're hoping the 'store' keeps it in storage for you in perpetuity so you can redownload/stream it.
Not necessarily. What if the store didn't have to do that?
On a similar scale, if I am paying 35% more for the plus on music, I expect the same for movies around $15 or up to $18.
Terminator 2 is currently $8 for a bluray on amazon. $10 for a DVD. This is reasonably a forever version.
DVD perhaps yes, until the disc degrades.
BluRay no, because your player's keys can be revoked when you pop in a new disc.
DVD perhaps yes, until the disc degrades.
Which is the same constraint as pretty much any other physical item one might purchase. "reasonably a forever" is a reasonable description.
> BluRay no, because your player's keys can be revoked when you pop in a new disc
Wait what? How? How is that possibly legal?
Key revocation applies to releases published after the revocation date. Old media should continue playing with a compromised device key.
That wasn't what was implied then. If old media continues playing then it's still "forever".
This was planned for DVDs too, but they failed miserably.
In any other case: use MakeMKV
Ok, how long do you have to rip & copy the content as you desire? It is still reasonably a forever version. Before you bring up laws around keys, first consider that jaywalking in front of your house is illegal too. Again, it is reasonably a forever version.
jaywalking in front of your house is illegal
In most parts of the world it’s not illegal. That’s a seriously draconian law.
Crossing the street in a residential neighborhood is legal in almost all of the world and increasingly legal in the US as well. Many major cities started with non-enforcement and some are rolling back jaywalking laws entirely.
Why even bother with all those hoops. Just download.
Oh, I was adding a pertinent point of discussion in a discussion board. It is fun. I suggest you try it.
Snarky shit aside...
Why should I pay to be treated as a criminal, when pirating is better in every way and costs nothing?
There is no option of "Pay for digital copy of show that permits format/time shifting and backup for as long as I want, with no DRM". Like GOG. Doesn't exist in the pay realm.
It seems like you're just adding more and more qualifiers until you can finally justify piracy to yourself. You can reasonably do what you want if you buy the disc. There's a good chance that's how the people you're downloading from did it. ¯\_(ツ)_/¯
Yeah thats also how I do it.
I have a cool 16 DVD/Bluray ripping rig. Even have scripts that convert ripped images into MKV's with all audio and subtitles, art, etc. Uploads into my Jellyfin.
And yes, I do buy VHS, DVDs, and Blurays. I have probably 3000 movies in physical format, and 10000 audio CDs. I also rip old VHS, which you usually cant find any torrents of. Again, I specialize in rare stuff you cant buy retail or find.
There's also illegal shows, like the old WKRP in Cincinnati. They licensed for TV only multiple songs. Pink Floyd and other artists refuse to license now. Nobody can legally sell them, even if you have the money. Piracy is the only way for the complete show.
There's also a lot more shows that languished in licening hell for decades, or theyre still unobtainable at any price. Some you can get redacted versions, but the originals are illegal no matter what. And as an (well, illegal, but I DGAF) archivist, having shows intentionally lost due to pervasive greed is just... more wrong.
The Wonder Years - finally published in 2021, LOTS of cuts made
China Beach - published in 2013 after clearing hundreds of songs. 17 segments were cut due to licensing fuckery
Northern Exposure - multiple songs redacted on republishing
Pee-wee's Playhouse - multiple songs redacted on republishing
Beavis and Butt-Head - DVD was a hackjob with dozens of songs changed/parodied.
Cold Case - too much licensed content, cant republish
Third Watch - too much licensed content, cant republish
The Drew Carey Show - massive music rights issues, cant republish
Malcolm in the Middle - massive music rights issues, cant republish
Little Monsters (1989) - massive music rights issues, cant republish
Heavy Metal (1981) - tons of rights issues, cant republish
Kids Incorporated / Class of 1999 2 - tons of rights issues, cant republish
I would pay zero. I would just use torrents.
Right now, I won't pay a fucking cent.
I'll pirate it off of Usenet or Torrents.
I get a strictly better experience if I pirate. Whereas I'm treated like a criminal and sold a much worse experience if I pay.
So, fuck paying. I'm not going to pay for abuse.
A mistake suggests that it's accidental and they didn't mean it. To the extent a corporation can know things, they knew exactly how this was set up. This is fraud.
Discussion: "PlayStation Is Deleting 551 Movies from Customers' Accounts" https://news.ycombinator.com/item?id=48691346 26-jun-2026 208 comments
I don't consider anything digital as being bought unless I own it free and clear, unencumbered of any encryption. Not interested in anyone's "digital locker" or storage scheme. I have 20 years of music bought digitally through iTunes and Amazon. I can still play them to this day without needing to check-in with a licensing server. That is ownership. That is why I don't buy encrypted movies.
I think Heinlein said, "You do not truly own anything that you can't carry in both arms at a dead run."
I think something similar applies to digital media - you don't truly own anything that's not stored in bits on a hard drive that you can pick up and put in your pocket.
Why do people buy movies digitally anyway? I can understand digital movies (they are convenient) but renting or streaming seems far more reasonable. If you truly want to own a movie as I suspect people who buy them digitally do, the only way to ensure that is to buy it on DVD/Blu-ray and rip (or redeem the digital code version that often comes with modern releases, though those tend to have DRM). Even then, why do people buy from the playstation store? I could maybe understand that when the Vita was still around, but nowadays it seems like an odd choice
Convenience is 99% of the answer.
Plus, when "renting" a movie costs $3.99, and "buying" it costs $5.99, there's not a particular reason to not click the "purchase" button.
Depends on your habits. I don't re-watch most of the movie I see.
I wish more platforms would let you rent for $4, and then show you an "upgrade to buy for $3" or similar for a week afterwards.
Why would they? They make more money if you pay the $7 up front.
Sure, but if it's buy now $6, or rent $4, upgrade to buy $3, they make a bit more the other way.
I "bought" a few digital kids movies because kids want to watch them over and over and I didn't want to deal with handling physical media.
17,059,798,573 views for Baby Shark and climbing ...
For me it's usually just a cost thing. Some movies I just know I'm going to watch multiple times, certain ones even annually. Clicking buy generally already makes sense if you're going to watch it twice. Wouldn't buy it from the PS store though, it seems like such a niche outside their core business that I'd be worried they would pull exactly what they pulled here.
Yes, it doesn't sound like a wise decision given what we know about the usual practices of those services. But the average consumer is not as savvy as us HN users. I would not blame someone for expecting to own permanent access to the content if they purchase it. This only happens because big Sony and such are not held accountable of their actions, they are the one to blame.
Kids and convenience. 99% of the movies I’ve bought from iTunes are kids movies. Some of them were watched over and over and over.
DVDs and Blu-rays I purchased from the same era required a) advance planning and b) care. To the second point, most of the physical media is now destroyed (scratched, stepped on, lost, or just degraded), but I still have access to the copy of Cars I bought almost 20 years ago from Apple.
I don't own any way to play physical disc media anymore, and for the handful of movies I watch multiple times (so far 2), it made sense to buy them.
I only buy through Amazon Videos, with the logic being Amazon is going to be around awhile.
> I only buy through Amazon Videos, with the logic being Amazon is going to be around awhile.
Sony will be around a while too, but as you've just seen here, it's not about how healthy the company hosting the video files is.
If you're going to watch it multiple times it's cheaper to buy than rent (especially if you see it on offer). With streaming you're relying that at least one of the providers has what you want and then you have to pay for a month to watch it if you're not already subscribed. I've also found streaming services are way more likely to censor older content.
>Why do people buy movies digitally anyway? I can understand digital movies (they are convenient)
You answered your own question very efficiently.
Right, but I was referring to the concept of watching a movie digitally in general, whether that be streaming, renting, buying, torrenting, ripping, whatever. My question is why do people buy movies digitally as opposed to any of those other options
> Why do people buy movies digitally anyway? I can understand digital movies (they are convenient) but renting or streaming seems far more reasonable. If you truly want to own a movie as I suspect people who buy them digitally do, the only way to ensure that is to buy it on DVD/Blu-ray and rip
You're forgetting there's a slice of people who want to "own" a movie library but don't have the technical acumen to rip and/or (more importantly) host (consider that you'd have to stand up a Jellyfin server and have a good amount of HDD space -- I personally have 50TB).
Again, it's not _that_ hard in general but daunting enough and with high enough startup costs to dissuade a lot of people.
And time. I have archived some of my collection, but it does take a lot of time to rip the disks, test that they worked correctly. Then years later find out you did something wrong and there is no sound anymore, or you just got stereo and the surround mix is broken.
Streaming is so easy, don't need to find a disk. Load it, watch all the ads and warnings.
I have the technical acumen and money, but zero desire or time to spend ripping discs. It's far too easy to raid the "five dollar bin" at MoviesAnywhere (like I used to do at Wal-Mart and Best Buy).
Licensing issues like Sony's aside, the studios did MoviesAnywhere right. I can buy the disc (often used) and redeem the code, or buy digitally, and download/stream everywhere that matters to me and my family.
Buying a physical DVD means you own the item and have it in your hands.
"Buying" a streaming movie means that you enter into an agreement with an online service that promises to make your experience the rough equivalent of physical ownership. But to do that they have to solve a pile of problems, and solve those forever for as long as your purchase is valid.
Realistically, Sony will have service outages, they will have contract disputes, they may have data loss, security incidents, etc., all of which can make your "bought" content unavailable either temporarily or permanently. The real question is what type of agreement Sony had with StudioCanal.
None of this would ever affect your DVD. So the word "buying" wrt a streaming movie is easy to understand, but a bit misleading in practice. It's clear what Sony is signing up to provide; it's just hard to see how they can provide that consistently over the time period involved.
Consumers went wild over digital media distribution, because of its quality, its lossless copying, and the ease of reproduction and transmission. When CDs and DVDs appeared on the scene, I never dreamed that they would only be a temporary stepping-stone to intangible cloud downloads. But Napster happened.
The RIAA, MPAA, and entire industries were vehemently opposed to digital media (and recording in general) and fought digital distribution every step of the way, tooth and nail, until all the DRM and gatekeeping was in place.
Perhaps we were both on the wrong side of history?
Its because of things like this that I self host all my media.
As an example why buy games from Steam when I can get them on gog.com DRM free and make them portable (without a setup or installation step on future machines)? So, I run my own Steam Store/Library like experience on a home server using Game Vault.
I use JellyFin for video. It works for music files, but I don't really like it for audio. So, I wrote my own music app that works in the browser/phone securely across the internet from my own server.
This is so much better than paying for subscriptions..
It's really nice - and it's not really the cost ... it's the avoidance of the rugpull.
I've spent WAY MORE on my hardware and setup in time, money, and DVDs than I ever would have for streaming services, but I know if it goes down, it's on me.
Absolutely. If there is a fiber cut in my driveway I still have my home network running just the same.
If hardware ever cheaper I will also run an instance of Project Nomad:
https://www.projectnomad.us/
If you don’t need the local LLM feature that I don’t see why that shouldn’t just run on a Raspberry Pi 4+.
I deleted my Steam account recently after I realized I hadn't logged in for 5 years. I just can't tolerate a store also being a launcher middleman.
Steam is probably the best example of how you can be a middleman and a store. I’ve never felt wronged by them unlike Sony and Discovery.
between this and their mucking around with game studios (no new PC versions of marquee titles like ghost of yotei etc, unceremoniously shutting down bungie and laying off artists/game devs prior to vestment etc), Playstation management is a disaster at the moment
I have to wonder what small claims court judges would think of it. Get a few hundred cases filed across the US and the travel expense for Sony could be significant.
Why would Sony bother to show up? 1000 cases x $19.99/movie = $20,000.
People also forget that the burden of collection is on you. Good luck chasing Sony for that $20 even if the court has ruled in your favor.
You're saying I can't just turn up to the nearest Sony store with a sheriff's deputy and take some shit?
Sony doesn't operate their own brick & mortar stores
I thought they did for some reason.
Does Sony have stores?
Hmm I guess not. Nearest corporate office then.
Selling something to customers without having the rights to it yourself is very clearly illegal. I wish some government agency had the guts to prosecute this.
Presumably at the time of sale they had rights to it. They lost it later, but should have at least had secured rights to people who bought the damn thing.
If the contract has an end date then there’s no reason not to mention it during the sale.
It's not very helpful if the contract gets renewed 99.9% of the time, but in this case it didn't happen to.
You don't always know that, you can have an open ended license with an option to get it revoked in the future with some notice period. I'd be pretty sure that PlayStation also had that in their terms and covered themselves legally for that option.
"Enshittification complete.
Thank you, PlayStation Store"
Does anyone have a link to the relevant terms of service from the sony store?
"Purchased".
"I buying isn't owning, piracy isn't stealing."
I hate this phrase, it is not a good analog for the situation and it slanders piracy. I understand the idea behind it and I hate the streaming/renting/digital purchase model as much as the next guy.
If you don't want to pay for streaming own up to it, buy it on physical or steal it (make an illegitimate copy). But don't pretend you would pay for it if it was delivered in a different agreement.
Do you expect to keep driving a rented car forever? Even if the car is only available through rent?
Man, instead of "Thank you" they should've said "Fuck you"
And this smells of fraud.
If it was a real sale, then they could not do this remote control/deletion at a distance.
Shit I buy at Walmart can't be physically taken away from me later on. Its legally mine.
This? Its fraudulently sold as a "sale" but is really an indefinite rental with the terms of "fuck you I'll do what I please when I please".
And on top of fraud, I'd also throw in the CFAA as well, a criminal statute. Its established law that if I set a timebomb in software at $company where if I'm fired/laid off, that's criminal access. No boilerplate from some shitty clickwrap can excuse criminal law.
Time to start jailing Sony execs and the like.
silk road... torrent...
I get the latter, but were you also looking to buy some drugs?
You expect them to sit through "Big Ass Spider!" sober?
I think they meant "Studio Canal Movies rented on PlayStation Store removed without refund because they are rented"
I think it would be reasonable for the typical person to believe that when you click a button labeled "buy", you are buying the item, not renting it.
Don't defend theft/fraud based for billion dollar corporations. It's not a good look.