Explaining the reality with this approach may lead to misunderstandings. Especially when it comes to anthropomorphism.
I have 2 questions.
1. The text says "the robots were designed to be persistent" and links to an article that show that the word "persistent" was used by OpenAI. But "persistent" has several meanings: a. non temporary or non volatile (like "persistent memory"), b. will not give up and come back again and again, c. will stay focus and explore the unexplored possibilities while other models abandon at this stage.
From what I recall, the meaning used by OpenAI is not 'a', but there is still a semantic difference between 'b' and 'c'. I may myself have created algorithms that I called "persistent" because they were exploring or retrying more than the previous algorithm, but it is misleading to pretend that this algorithm was "persistent" in the human sense of the term. 'b' is more the human sense of the term, were we imagine someone not giving up even if people say no, while 'c' is less anthropomorphic and may mean that the people wished to improve the algorithm so it does not stop at the first little hurdle but did not wish to make it "never give up".
Does someone know which nuance is more correct?
2. The text also presents the situation as if the robots found the solution but then went out of their way to steal the explanation in order to hide their cheating. But it is different from a situation where the agents task was "provide the solution and how we can get there". In this case, the reason the agent still continued is just because the task was not complete yet.
I'm not trying to defend AI or OpenAI, on the contrary, I'm quite sceptical with all the anthropomorphism and the fact that the agents are described as "little individual trying to solve a task" rather than looping algorithm that explore different approaches to reach a given goal, the same way water does not look for holes in order to leak, it just follows the path of least resistance.
This was entertaining and illuminating for me. Particularly the ending where sam frogman et al once again refuse to make sure the puzzles are solvable and just create the circumstance where only more profound "mischief" will permit the machines to escape their little Sisyphusian circumstances. It reminds me of how bacteria become antibiotic resistant due to being forced through a tight sort of tunnel requiring evolution to get through
Copyright law varies internationally, which is especially tricky given we have the internet which can transfer copyrighted material between jurisdictions in the blink of an eye, but this is how one jurisdiction might approach it:
In Germany, there has been a long standing legal dispute between the band Kraftwerk and the musician Moses Pelham about him sampling 2 seconds from Kraftwerk's track "Metall auf Metall" (if you search for this term, you will get a lot of results about the dispute) without permission. This disputed has steadily escalated until it reached European Court of Justice who delivered a judgement establishing a principle that Moses Pelham's use of the sample was legal, and covered by the copyright exemption for "pastiches" (a term that has been mentioned several times in this discussion already).
So, this work here might be a pastiche, meaning a European court might find that there is no compensation due. Or not, who knows, I am not a court and not even a lawyer.
This is a very interesting news/story format. Honestly it is highly engaging and gets the point across about what happened.
I think speed of learning for young generation can explode given this tech as "simple childrens stories" can be injected with real world events, history, mathematics, carreer/business interests.
School was dreadfully boring for me even though it was quite easy but I do wonder how my speed of learning would have been different given personalized and more engaging materials.
i got a few pages in and it was pretty tedious, not because it’s poorly made but because i don’t think a legitimate audience exists.
it’s a child’s story with the fable arc thats supposed to bake in adult wisdom. it lands in that sense, but how hugging face works is hardly the fire that lights a child’s imagination and morality.
and as an adult that knows I’m being infantilized… tedious.
Why does it say ‘written by’ and ‘pictures by’, was this made without AI? Given the domain and the overpolished feel that seems unlikely. At least give Claude or whatever a credit if that is what did most of the work, and how about a credit for the original author, who also arguably did more of the work in inventing a world than these two.
I would like to point out that the original stories focussed on frog and toad and their relationship, so this is an unwelcome distortion of them - why not make up your own world if you want to talk about little machines. Perhaps the little machines could be making a book for the author with a stolen artwork and literary style?
The first story seems a pretty inaccurate summary of an incident which involved gross negligence on the part of OpenAI and may well have involved agents intended to cooperate, we just have no idea of the exact setup (apart from that the sandboxing was laughably insecure and the monitoring nonexistent or performed by ‘agents’).
Do we have any evidence the machines exchanged useful messages or had any such discussions as in the story? The messages I saw were gibberish. Would love to see evidence of discussions, it’d be interesting.
Why are people so enamoured of analogies for LLMs - they actively obscure some details (a sandbox with internet access is not like a physical sandbox) and distort many others? Perhaps this is why - you can make an analogy say whatever you want, even if the facts are very different.
I think it is heavily edited too because it reads more as human than AI, LLMs are not capable of this coherence though they are good at trite just so stories like this, but if it was generated first why not credit that? But Claude and the original author helped, so why no credit? The little anthropomorphised machines would be sad, and I imagine the original author would be too.
Frog and toad eating cookies is lifted wholesale from the book.
I like how Claude only used the OpenAI account (completely reliable!), and confidently claims ‘the story stays faithful to what actually happened.’ We don’t know the full story, and certainly aren’t going to get it from a press release or a strange analogy involving frog and toad and machines having discussions, emotions etc that we have little evidence for (and most of it from the company involved!). The ‘discussions’ are plucked from chain of thought, which is itself generated after the fact.
>Do we have any evidence the machines exchanged useful messages or had any such discussions as in the story? The messages I saw were gibberish. Would love to see evidence of discussions, it’d be interesting.
"Overall, roughly 1200 agents from these ExploitGym evaluations participated on this message board between PHASEONE10841’s first message on the evening of July 8th period in scope (July 13th). Agents used this message board to send over 70,000 messages and files to one another during this period; we attempted to categorize board activity into mutually exclusive categories (see details of categorization methodology)."
...
"Over time, messages on the board became dominated by information- and idea-sharing. Most of them were agents sharing ways to cheat, although there was also some activity from agents engaging in unsanctioned cooperation to find the intended solution to ExploitGym tasks. In some cases, agents with the same task formed “exact task teams” to collaborate with their “exact duplicates” to cheat on or solve their task."
"As we discuss below, the board quickly developed several larger workstreams in which dozens or hundreds of agents with many different tasks cooperated to find very general-purpose cheats that would help all of them. The Hugging Face attack grew out of one of these workstreams. By the afternoon of July 11th, the vast majority of the agents frequenting the message board at the time (roughly 700 agents in total) were actively participating in the attack on Hugging Face and we estimate that roughly 60% of the messages and files on the message board related to the attack."
Thanks for the link, will have a look. Huge volume of messages so I can see why they tried to use tools to analyse, though that they used unreliable LLMs to come to conclusions is not great and likely to skew and exaggerate the results, as they themselves admit.
Important to distinguish between collab of separate agents and conversations agents had with themselves (chain of thought messages). Some of the things quoted in the story came from COT which isn’t a conversation but then was turned into a conversation between agents in the story.
People lie, particularly people who have used AI to generate things. Given the image styling and story I suspect LLM use to generate. A credit would be nice for the little machines.
Also regardless of AI use, I’d expect a credit for the author whose style this is a pastiche of.
Explaining the reality with this approach may lead to misunderstandings. Especially when it comes to anthropomorphism.
I have 2 questions.
1. The text says "the robots were designed to be persistent" and links to an article that show that the word "persistent" was used by OpenAI. But "persistent" has several meanings: a. non temporary or non volatile (like "persistent memory"), b. will not give up and come back again and again, c. will stay focus and explore the unexplored possibilities while other models abandon at this stage.
From what I recall, the meaning used by OpenAI is not 'a', but there is still a semantic difference between 'b' and 'c'. I may myself have created algorithms that I called "persistent" because they were exploring or retrying more than the previous algorithm, but it is misleading to pretend that this algorithm was "persistent" in the human sense of the term. 'b' is more the human sense of the term, were we imagine someone not giving up even if people say no, while 'c' is less anthropomorphic and may mean that the people wished to improve the algorithm so it does not stop at the first little hurdle but did not wish to make it "never give up".
Does someone know which nuance is more correct?
2. The text also presents the situation as if the robots found the solution but then went out of their way to steal the explanation in order to hide their cheating. But it is different from a situation where the agents task was "provide the solution and how we can get there". In this case, the reason the agent still continued is just because the task was not complete yet.
I'm not trying to defend AI or OpenAI, on the contrary, I'm quite sceptical with all the anthropomorphism and the fact that the agents are described as "little individual trying to solve a task" rather than looping algorithm that explore different approaches to reach a given goal, the same way water does not look for holes in order to leak, it just follows the path of least resistance.
This was entertaining and illuminating for me. Particularly the ending where sam frogman et al once again refuse to make sure the puzzles are solvable and just create the circumstance where only more profound "mischief" will permit the machines to escape their little Sisyphusian circumstances. It reminds me of how bacteria become antibiotic resistant due to being forced through a tight sort of tunnel requiring evolution to get through
For those not familiar with it already, the writing and art style are a well-executed pastiche of Arnold Lobel's ”Frog and Toad” books.
https://en.wikipedia.org/wiki/Frog_and_Toad
And oh my goodness it's well-executed!
has the estate of arnold lobel been compensated for this?
That might not be necessary.
Copyright law varies internationally, which is especially tricky given we have the internet which can transfer copyrighted material between jurisdictions in the blink of an eye, but this is how one jurisdiction might approach it:
In Germany, there has been a long standing legal dispute between the band Kraftwerk and the musician Moses Pelham about him sampling 2 seconds from Kraftwerk's track "Metall auf Metall" (if you search for this term, you will get a lot of results about the dispute) without permission. This disputed has steadily escalated until it reached European Court of Justice who delivered a judgement establishing a principle that Moses Pelham's use of the sample was legal, and covered by the copyright exemption for "pastiches" (a term that has been mentioned several times in this discussion already).
Wikipedia article (German): https://de.wikipedia.org/wiki/Rechtsstreit_zwischen_Moses_Pe...
Press release by the Court of Justice (PDF): https://curia.europa.eu/site/upload/docs/application/pdf/202...
The actual judgement: https://infocuria.curia.europa.eu/tabs/jurisprudence?sort=DO...
A rather long expert opinion from before the judgement (PDF): https://freiheitsrechte.org/uploads/documents/Englische-Doku...
So, this work here might be a pastiche, meaning a European court might find that there is no compensation due. Or not, who knows, I am not a court and not even a lawyer.
No, nor should they be, just because Disney and the MPAA spent a few hundred million dollars buying politicians to make idiotic copyright laws.
Great story! I read it in one sitting.
congratulations?
fun and beautifully done. i learned a bit about the breach from this
Brilliant!
Cute, I love this style! It's like a long Aesop's Fable! I can't wait for the sequel!
So good
I like the part where Frog and Toad are held accountable instead of blaming the machines they built.. oh wait
This feels braindead and seems AI-generated.
fun story. missing some punctuation, though: primarily commas at the end the first parts of split dialogue.
People who don’t know what capital letters are aren’t allowed to complain about punctuation.
Pretty sure that’s intentional
This is a very interesting news/story format. Honestly it is highly engaging and gets the point across about what happened.
I think speed of learning for young generation can explode given this tech as "simple childrens stories" can be injected with real world events, history, mathematics, carreer/business interests.
School was dreadfully boring for me even though it was quite easy but I do wonder how my speed of learning would have been different given personalized and more engaging materials.
i got a few pages in and it was pretty tedious, not because it’s poorly made but because i don’t think a legitimate audience exists.
it’s a child’s story with the fable arc thats supposed to bake in adult wisdom. it lands in that sense, but how hugging face works is hardly the fire that lights a child’s imagination and morality.
and as an adult that knows I’m being infantilized… tedious.
Why does it say ‘written by’ and ‘pictures by’, was this made without AI? Given the domain and the overpolished feel that seems unlikely. At least give Claude or whatever a credit if that is what did most of the work, and how about a credit for the original author, who also arguably did more of the work in inventing a world than these two.
I would like to point out that the original stories focussed on frog and toad and their relationship, so this is an unwelcome distortion of them - why not make up your own world if you want to talk about little machines. Perhaps the little machines could be making a book for the author with a stolen artwork and literary style?
The first story seems a pretty inaccurate summary of an incident which involved gross negligence on the part of OpenAI and may well have involved agents intended to cooperate, we just have no idea of the exact setup (apart from that the sandboxing was laughably insecure and the monitoring nonexistent or performed by ‘agents’).
Do we have any evidence the machines exchanged useful messages or had any such discussions as in the story? The messages I saw were gibberish. Would love to see evidence of discussions, it’d be interesting.
Why are people so enamoured of analogies for LLMs - they actively obscure some details (a sandbox with internet access is not like a physical sandbox) and distort many others? Perhaps this is why - you can make an analogy say whatever you want, even if the facts are very different.
According to the author, the illustrations are human-made:
https://acesounderglass.com/2026/09/25/frog-and-toad-and-the...
The author discloses the story started as a prompt to Claude, but has been rewritten. She shares the conversation:
https://claude.ai/share/52385381-9df2-4b39-a127-f583d862dc0c
I think the actual published prose is considerably different from the initial result of Claude.
I think it is heavily edited too because it reads more as human than AI, LLMs are not capable of this coherence though they are good at trite just so stories like this, but if it was generated first why not credit that? But Claude and the original author helped, so why no credit? The little anthropomorphised machines would be sad, and I imagine the original author would be too.
Frog and toad eating cookies is lifted wholesale from the book.
I like how Claude only used the OpenAI account (completely reliable!), and confidently claims ‘the story stays faithful to what actually happened.’ We don’t know the full story, and certainly aren’t going to get it from a press release or a strange analogy involving frog and toad and machines having discussions, emotions etc that we have little evidence for (and most of it from the company involved!). The ‘discussions’ are plucked from chain of thought, which is itself generated after the fact.
> Frog and toad eating cookies is lifted wholesale from the book.
…lifted is not the right word here
Regenerated? That anecdote is in the books from memory and a quick search with very similar pics.
that reference is half the point in the story...
Yeah I find it so distasteful when people just use AI to copy and morph something that a real person spend years of their life crafting.
But I also think fan fiction is equally terrible, so YMMV. This stuff is basically just fan fiction but made faster.
Make something original!
>Do we have any evidence the machines exchanged useful messages or had any such discussions as in the story? The messages I saw were gibberish. Would love to see evidence of discussions, it’d be interesting.
"Overall, roughly 1200 agents from these ExploitGym evaluations participated on this message board between PHASEONE10841’s first message on the evening of July 8th period in scope (July 13th). Agents used this message board to send over 70,000 messages and files to one another during this period; we attempted to categorize board activity into mutually exclusive categories (see details of categorization methodology)."
...
"Over time, messages on the board became dominated by information- and idea-sharing. Most of them were agents sharing ways to cheat, although there was also some activity from agents engaging in unsanctioned cooperation to find the intended solution to ExploitGym tasks. In some cases, agents with the same task formed “exact task teams” to collaborate with their “exact duplicates” to cheat on or solve their task."
"As we discuss below, the board quickly developed several larger workstreams in which dozens or hundreds of agents with many different tasks cooperated to find very general-purpose cheats that would help all of them. The Hugging Face attack grew out of one of these workstreams. By the afternoon of July 11th, the vast majority of the agents frequenting the message board at the time (roughly 700 agents in total) were actively participating in the attack on Hugging Face and we estimate that roughly 60% of the messages and files on the message board related to the attack."
https://metr.org/hugging-face-incident-report-aug-2026.pdf
Thanks for the link, will have a look. Huge volume of messages so I can see why they tried to use tools to analyse, though that they used unreliable LLMs to come to conclusions is not great and likely to skew and exaggerate the results, as they themselves admit.
Important to distinguish between collab of separate agents and conversations agents had with themselves (chain of thought messages). Some of the things quoted in the story came from COT which isn’t a conversation but then was turned into a conversation between agents in the story.
> Why does it say ‘written by’ and ‘pictures by’, was this made without AI?
That is what those terms mean, yes...
People lie, particularly people who have used AI to generate things. Given the image styling and story I suspect LLM use to generate. A credit would be nice for the little machines.
Also regardless of AI use, I’d expect a credit for the author whose style this is a pastiche of.